By Mike Featherstone, Scott M Lash
In Spaces of Culture a world team of students examines the consequences of questions akin to: what's tradition? what's the dating among social constitution and tradition in a globalized and networked international? Do serious views nonetheless practice, or does the rate and complexity of cultural construction call for new sorts of analysis?
They explore the most important subject matters in social thought: the country country; town; modernity and reflexivity; post-Fordism and the spatial common sense of the informational urban. The participants move directly to research the general public sphere, wondering the reductive illustration of know-how as a kind of instrumentality, and demonstrating how new applied sciences can provide new areas of tradition. This analys
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Extra info for Spaces of Culture: City, Nation, World
Already, many millions of main frame and personal computers - some 50 million at this time - are linked into this network, directly or through other smaller networks. How many Copyrighted Material 28 TECHNOLOGICAL SPACE users, however, actually use the Internet from these points-of-entry is less clear. Numbers can be cited, but they become inaccurate even as they are reported. Most of the world's money, much of its communication, trans portation and distribution systems, and many forms of data analysis now move by means of operations conducted in cyberspace.
Change from Within 'My purpose is to tell of bodies which have been transformed into shapes of a different kind', Ovid declared at the outset of the Metamorphoses. 7 You Copyrighted Material 18 TEC H NOLOGICAL SPACE will recall he believed that the world came into being when a god first sorted into distinct forms a primal 'shapeless, uncoordinated mass . . whose ill , assorted elements were indiscriminately heaped together in one place . 8 Subsequently, change in form became the law of life: Darwin enjoyed Ovid for good reason.
Generated b y the distributed interactive computing o f innumerable net works, cyberspaces open new practical possibilities to human perception and manipulation at whatever terminal interface - textual, graphic, audio, visual - can disclose Gibson's nonspaces of the mind with their clusters and constellations of data. All spaces are constructs, including cyberspace, but physical space con structs in first and second nature often are mistaken as having more materialized substance (Harvey, 1989).
Spaces of Culture: City, Nation, World by Mike Featherstone, Scott M Lash