By Elizabeth A. Castelli ed.
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Additional resources for Postscripts: The Journal of Sacred Texts and Contemporary Worlds volume 1.2/1.3 August/November 2005
Whether it is possible at all to produce adequate ﬁlm images of local religious practices is a matter of debate. Elsewhere I discuss traditional representatives’ assertion that such forces refuse to be photographed or ﬁlmed (Meyer, “Mediating Tradition,” 291–95). 3 (2005) computerproduced special effects, which took a substantial part of the budget, and were the ﬁlm’s key attraction points. Filmmaker Socrate Safo told me how he listened to a radio program about witchcraft, in which people phoning in referred to Ghanaian ﬁlms to prove that Satan truly exists and to explain how witchcraft works.
Clayton N. Jefford, and Guerric DeBona. Savior on the Silver Screen. New York: Paulist Press, 1999. Stolow, Jeremy. ” Theory, Culture & Society 22, no. 4 (2005): 119–45. Vries, Hent de. ” In de Vries and Weber, Religion and Media, 23–29. Vries, Hent de, and Samuel Weber, eds. Religion and Media. Stanford: Stanford University Press, 2001. Wendl, Tobias. ” Visual Anthropology 14 (2001): 269–92. Witte, Marleen de. ” Journal of Religion in Africa 33 (2003): 172–202. ———. 3 (2005): 277–300. ” Material Religion 1 (2005): 314–35.
Peperkamp, Esther. 3 (2005): 351–74. Plate, S. Brent. ” In Representing Religion in World Cinema. New York: Palgrave Macmillan, 2003. ———. 3 (2005): 259–75. Port, Mattijs van de. 3 (2005): 301–24. Reinhartz, Adele. Scripture on the Silver-Screen. : Westminster John Knox, 2003. Sanchez, Rafael. ” In de Vries and Weber, Religion and Media, 388–434. , Clayton N. Jefford, and Guerric DeBona. Savior on the Silver Screen. New York: Paulist Press, 1999. Stolow, Jeremy. ” Theory, Culture & Society 22, no.
Postscripts: The Journal of Sacred Texts and Contemporary Worlds volume 1.2/1.3 August/November 2005 by Elizabeth A. Castelli ed.