Developing the Core (Sport Performance Series) by Jeffrey M. Willardson PDF

By Jeffrey M. Willardson

ISBN-10: 0736095497

ISBN-13: 9780736095495

The NSCA, the world’s best activity conditioning association, deals its unequalled services in a publication ideal for any athlete trying to boost the center and increase athletic functionality. that includes eleven ready-to-use sport-specific courses, constructing the middle presents greater than 50 of the simplest workouts besides science-based tests to aid athletes comprehend their person wishes.

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Extra resources for Developing the Core (Sport Performance Series)

Sample text

The power of recall then, of a plunging in and out of a subjective temporality that is engaged with, but not identical to, the temporality of film, is a significant, if difficult to articulate, aspect of the habitual making and breaking of contact between subjective temporality and cinematic temporality. Between the contact of the two emerges the possibility of a cinematic subjectivity, whose possibility resides somewhere in that state of betweenness. The continuous and non-selective recording of real time has been consistently subverted and diverted by filmmakers, particularly those with an investment in experimental film forms.

The ready appeal of cinema as an analogy for mental processes – cinema regarded from the start as a good way of imaging the workings of the mind [ . . ] brings exactly by its readiness the danger of the loss of the specificity of psychoanalytic understanding, of the originality of its grasp of psychical apparatus, unconscious and sexuality. (Heath 1999: 26) In spite of Heath’s somewhat pessimistic outlook on the disinterest of psychoanalysis with relation to the cinema, cinema has nevertheless become significant to psychoanalytic film theory, and possibly even psychoanalysis itself, as an allegorical illustrator of the constitutive 42 Phenomenology and the Future of Film unconscious and pre-conscious structures of the subject.

3 As a viewer of film, I would agree with Vivian Sobchack when she states in The Address of the Eye: A Phenomenology of Film Experience: Even – or, perhaps, especially – because it has grounded and circumscribed feminist film theory, neo-Freudian psychoanalysis has not exhausted my experience [ . . ]. I refuse to be completely contained within its structures and described by its terms. Psychoanalysis is fine, perhaps, for disclosing the ‘unconscious’ of patriarchal texts and the power and constitutive nature of an experienced ‘lack’, but it is not so fine for describing the pleasure and plenitude of an experience that includes – but is also in excess of ‘sexual difference’.

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Developing the Core (Sport Performance Series) by Jeffrey M. Willardson


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