By Thomas Buckingham Smith
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Additional info for Arte de la lengua névome : que se dice pima, propia de Sonora : con la Doctrina christiana y Confesionario añadidos.
Scott, both in this and in other instances, deserves praise for the zeal with which he has laboured to throw light on the ancient manners and customs of one portion of our countrymen. 34 MARMION 1808 2. Francis Jeffrey, unsigned review, Edinburgh Review April 1808, xii, 1–35 Jeffrey, editor and main literary reviewer for the Edinburgh Review from 1802 to 1829, was a friend of Scott. It has often been said that this critique led Scott to break with Jeffrey and his Review and to help found the Quarterly, even though Scott denied this rumour.
De Wilton, again, is too much depressed throughout the poem. It is rather dangerous for a poet to chuse a hero who has been beaten in fair battle. The readers of romance do not like an unsuccessful warrior; but to be beaten in a judicial combat, and to have his arms reversed and tied on the gallows, is an adventure which can only be expiated by signal prowess and exemplary revenge, achieved against great odds, in full view of the reader. The unfortunate De Wilton, however, carries this stain upon him from one end of the poem to the other.
Another imitator of Homer, and a still more rigid one, the author of the Epigoniad, proves how very faintly the manners of a distant age can be delineated by copying the descriptions of a co-temporary poet; and how very little interesting such a representation can be made, even by great industry and some share of genius. The difficulty of delineating manners not immediately passing under our eye, and the little success with which we have seen such attempts almost always attended, made us look with not a little distrust on the design of the performance before us, which professes to ‘illustrate the customs and manners which anciently prevailed on the borders of England and Scotland’.
Arte de la lengua névome : que se dice pima, propia de Sonora : con la Doctrina christiana y Confesionario añadidos. by Thomas Buckingham Smith