Flashes of lightning, resounding thunder, gloomy fog, outstanding sunshine…these are the existence manifestations of the skies. The concrete visceral reports that dwelling lower than these skies stir inside of us are the floor for person impulses, feelings, sentiments that during their interplay generate their very own ever-changing clouds. whereas our mind concentrates at the discovery of our cosmic place, at the structure of the universe, our mind's eye is knowledgeable through the gloomy vapors, the glimmers of fleeting mild, and the distinction of the skies. Reconnoitering from the soil of human lifestyles and striving in the direction of the limitless, the elan of mind's eye will get stuck up within the clouds of the skies. There in that dimness, sensory receptivity, tendencies, feelings, passionate strivings, yearnings, elevations assemble and propagate. From the “Passions of the Skies” spring innermost intuitions that nourish literature and the arts.
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Extra info for Art, Literature, and Passions of the Skies (Analecta Husserliana, Volume 112)
As the skies, metaphysical indeterminacy of being is an endless passion. A escala cósmica, la bóveda celeste, los objetos luminosos fotografiados que examinaría mañana bajo el microscopio eran otro cuerpo que latía como él, las particulas tenían radiación, energía, magnestismo. ] (Poniatowska 2001, 147) … Daß wir nicht sehr verläßlich zu Haus sind in der gedeuteten Welt. 1–11) Man in his daily endeavors goes about living without being concerned with his place in the universe or what it means. But there are few who passionately question beyond personal boundaries, trying to grasp how we relate to the heavens and what relation exists between all beings.
Is this not a holographic form of personal experience? Like Brian Greene and his shadow, we may be just as intimately connected to writing and literature as to what physicists predict may be the 11 competing versions of the cosmic multiverse. How plentiful are the imaginary worlds that have been and will be brought to the life of human imagination by means of flat words on a page? ”40 We appreciate his enthusiasm, which may strangely resemble Royce’s for geology. Still, we should keep in mind that in literature the creation of universes happens all the time, through writing, which, though physically flat, does not carry all its information on the surface, and requires that readers search for deeper meaning.
Skin is the layer that separates inner-outer, hidden from exposed, not a boundary but a mediating zone. In the novel skin refers to one‘s extension into infinitude as well as one’s abilities to touch the meaning of what is real. Therefore La piel del cielo can be interpreted in multiple ways: [the body] stands before the world and the world upright before it, and between them there is a relation that is one of embrace. And between these two vertical beings there is not a frontier, but a contact surface.
Art, Literature, and Passions of the Skies (Analecta Husserliana, Volume 112)