By Roger Sansi
In fresh a long time, the discussion among artwork and anthropology has been either excessive and arguable. Art, Anthropology and the Gift offers a much-needed and entire evaluation of this discussion, while additionally exploring the reciprocal nature of the 2 matters via perform, thought and politics.
Fully enticing with anthropology and paintings idea, this booklet innovatively argues that paintings and anthropology do not simply proportion methodologies, but in addition deeper highbrow, theoretical or even political matters, inviting students and scholars alike to examine this contentious courting in a extra serious gentle. one of many vital arguments of the ebook is that the matter of the 'gift' has been principal to either anthropological and inventive perform. This very proposal connects different chapters on themes together with aesthetics, politics, participation and fieldwork.
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Extra resources for Art, Anthropology and the Gift
Since then, Free Form became specialized in getting funding for social projects. In the long run, they have become experts in delivering “community participation” (Crehan 2012: 186). In the long historical trajectory of several decades, the very identity of the group has changed, in relationship to all the different kinds of agencies they have had to deal with—from changing governments, to changing local communities, to an art world in transformation, with a quite uncertain result. From the perspective of the art world, in the end, Free Form is a rather marginal player; this group, like the Dialogue collective discussed by Kester, stands miles away from the international fame of art stars like Alÿs or Calle.
The former are normally presented as an archive, open and unfinished, rather than in the academic form of an article or monograph, with a clear organization and conclusion. Artistic documentation is left voluntarily open to keep it close to the “process” of production, as a trace, or leftover, of this process. In fact, this documentation has become the very work of art, the commodity that is sold in the art market, an objectification of the ephemeral event that can’t otherwise be grasped, because of its ephemeral specificity.
Of course that is not to say that all collaborative art projects do that; but it simply affirms that this form of work does not have the results it pretends to have just because of its methodology. ” Perhaps we could also look at it in the opposite direction: asking what both kinds of project actually “do,” without pretending to be able to assess their “social benefits” in positive terms. Community arts or collaborative arts have a hands-on “useful” approach, which can show visible material results for a particular community: Dialogues’ water pumps, Free Form’s murals, etc.
Art, Anthropology and the Gift by Roger Sansi