Download PDF by Colette Pitcher: Acrylic Painting For Dummies

By Colette Pitcher

ISBN-10: 047044455X

ISBN-13: 9780470444559

Hands-on, full-color guide during this flexible portray medium Acrylic paint is straightforward to exploit, quickly to dry, a cinch to scrub up, and comparatively inexpensive--which makes it a good medium for beginner artists. Following an easy step by step technique, Acrylic portray For Dummies offers hands-on guide and easy-to-follow routines in acrylic portray thoughts and kinds, making the medium available to would-be artists in any respect degrees. that includes large-scale tasks on the finish of such a lot chapters and plentiful extra possibilities for readers to color alongside, this pleasant advisor can assist a person notice the artist inside of. Collette Pitcher (Greeley, CO) is a painter who indicates her paintings in the course of the nation. She is the landlord of the exhibit paintings middle in Greeley, the place she deals grownup guide in different portray mediums. Pitcher is usually the writer of Watercolor portray For Dummies (978-0-470-18231-4).

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Certes, il ne s’agit pas seulement d’emprunts faits aux textes d’Ovide : les clichés mythologiques figurent dans des tableaux inspirés par des sources littéraires plus tardives. La mythologie et la littérature romaines conservèrent leur influence pour plusieurs raisons. Tout d’abord, le système figuratif qui germa dans le sol mythologique trouva une expression esthétique et plastique dans l’art antique sanctifié par le classicisme européen. Marius prisonnier à Minturnes Germain-Jean Drouais, 1786 Huile sur toile, 271 x 365 cm Musée du Louvre, Paris 40 41 De cette manière, s’adresser à la mythologie signifiait revenir aux sources de l’art, à ses premiers modèles.

Marius prisonnier à Minturnes Germain-Jean Drouais, 1786 Huile sur toile, 271 x 365 cm Musée du Louvre, Paris 40 41 De cette manière, s’adresser à la mythologie signifiait revenir aux sources de l’art, à ses premiers modèles. Le pèlerinage des artistes européens en Italie devint chose ordinaire. C’est à cette source que l’on emprunta le culte du nu, qui constitue un ensemble thématique particulier (voire un genre) de la peinture française. La conception philosophique et poétique de la mythologie des anciens fut remplacée par une attirance pour les plaisirs des sens : il est vrai que les anciens leur en avaient donné l’exemple.

De là cette combinaison, à première vue paradoxale, d’éléments novateurs et d’archaïsmes. Orpheus Gustave Moreau, 1865 Huile sur toile, 154,3 x 99,7 cm Musée d’Orsay, Paris 48 49 De là, cette exhortation plus d’une fois prononcée par les Fauves : « être des enfants ». Dans ce contexte, la tradition antilittéraire s’associait à l’entière liberté d’expression. En fait, la peinture créait son propre mythe. Ainsi, les anciennes limites séparant les genres furent effacées et le monde de la peinture subit une transformation fondamentale.

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Acrylic Painting For Dummies by Colette Pitcher


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